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[video]
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[video]
[video]
Is the best part his hand and the way it moves?
Is it the way he affects her breathing and has her shaking?
Her lips and how they part on each breath?
What he’s whispering while it’s happening?
No, it’s the way he’s looking at her and what that’s doing to every square inch of her.
(Source: delectatiomorosa)
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London After Midnight (1927, dir. Tod Browning) (via)
Anna Akhmatova
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